I mean, it really hasn't come that far in terms of representation since the 80s. Sure, we'll drop Jazz's stereotypical persona, but we've gotta have SOME racial shorthand so why not bring in Animated Blitzwing. Ain't no Germans in America. Phew.
Blitzwing's *name* is inspired by German imagery. I get annoyed by the stupid accents as well. But, really, given that his name is *Blitzwing*, they may as well go the whole distance and portray him as a hun. (The official explanation for TF names has generally been "fits their alternate mode and personality", so again, they may as well go whole hog and give him the accent.)
You concede that the TFs are made humanoid to be 'relatable' when it's clear that any who differ from the Optimus Prime mould- and I mean in all terms of design; visuals, voice and personality- are pretty much there to be played for yuks.
I could list plenty of characters that contradict what you are saying here. But, as you said, you know the characters.
I can't think, off the top of my head, of any right-thinking, non-jokey TF who isn't essentially an able-bodied white American, and thus designed to be relatable for that demographic
What about all of those Japanese characters? (Hey, you know more about that side of things than I do. I am genuinely curious.)
On the other hand, I do not associate "able bodied and right thinking" as being exclusively "white" or American" traits. I know plenty of rational non-whites, and some bug-fuck lunatic white folks. Similarly, America hardly holds a monopoly on being sensible. (By the same token, the sensible mindset does not hold as much sway in the US as I might like. There really is no correlation.)
It's clearly a business decision, and an unfortunte one in my opinion.
Who is reading the comics? Who is buying the toys and other merchandise?
(Of course, this also implies that people from a given group will only buy what resembles their group. I personally do not do this, as my love of Indian food will attest. But, many people *will* do that.)
But TF's lore is, at its heart, a simplistic one. That of an 80s kids' franchise (in 2013). Now that's fine for some folks, and Dom and others have implied that anything else would be 'pandering,' but how is it pandering when it's *interesting* and *context appropriate*,
The property has gone beyond the 80s. (I honestly do not think anybody here would dispute that.)
But,there is a difference between having sophisticated writing and professional looking art (which should be the standard any comics are held to) and writing stories for the purpose of increasing representation.
Token characters are about as useless as offensive stereotype characters, because they ultimately serve the same purpose of being on page/screen for the purpose of "representing" a group (for good or ill) rather than because they are legitimately useful. Every so often, a writer might find a way to make a token or stereotype character useful. But, that often involves changing that character beyond recognition.
Marvel's Luke "Power Man" Cage is a good example of this. Cage was intended to be a token character that would cash in on the "Blacksploitation" trend in the 70s. Cage was, to be blunt, one of the most hilariously (if accidently) offensive characters of the 70s. Cage stopped being a joke when Bendis got ahold of him about 10 years ago. Bendis' Cage is a damned good character that is useful to the plot and "sounds" like a real person. I would argue that Bendis' Cage is practically an all new character having little to do with the character from the 70s. (Seriously, spend like 5 minutes with Google. And, if you can, try to read some Bendis "Avengers" with Luke Cage in them.)
Bendis' "All New Spider-Man" is about a little bi-racial (black and latino) kid. I am pretty sure that Bendis made the kid bi-racial for the sake of stirring up controversy and getting people to expect a focus-grouped joke in the making. (And, then, Bendis turned around and made Miles a useful and interesting character that could stand on his own regardless of his fictional race. And, he gave Miles of lovable and chubby sidekick of Chinese descent...who is written as a normal kid.) Unfortunately, we also know that Bendis' style on this sort of thing is rare. Bendis does not have Miles and the chubby kid (whose name I forget) discussing or confronting prejudice. Chubby kid has an actual name and is not shown to suffer taunts for being chubby. (I really wish I could remember his name, because he is a damned fun character.) Howerver, most writers would go for the cheap race/bullying card and we would be left with shittier comics.
I'm not sure how the idea of a massively oversized TF with mobility and fuel consumption issues has anything to do with 'LOL FOCUS GROUPS'.
It would come down to intent.
Metroplex was given certain weaknesses for the sake of balancing out what would otherwise be a seriously over-powered character. It was a reason for him to not be involved with, and likely winning, just about every battle. Trailbreaker had force-fields, but he could not use them too much or he would run out of power. Again, balance.
Similarly, the origional 3 Seekers were similarly balanced. Starscream was the smartest. But, his special weapon was essentially something to be pointed and shot. Thundercracker was presumably of average intelligence, but had a slightly better power set. Skywarp had a damned good power set, but was not really smart enough to use it on his own.
But, not of those characters were written in for the sake of having a hobbled character.
Dom
-seriously, Luke Cage was like 4 colour black face.