This coming from the guy who said the Rainbow Corps wouldn't be around a year after they introduced it... How many years ago was that at this point? And planning on launching a Sinestro Corps book I might add...
I admit, that suprises me.
here was nothing here, just another big bad nuthin' threat - a zombie version of Metrotitan - and a couple characters whose pasts didn't matter to me enough to be all "gasp, how did they appear?!?". 2 more robots on Cybertron? No shit. And the story is really a fizzle, the Lost Light appears out of nowhere to deus its machina and add nothing of value to the moment.
But any sensible person reading Thundercracker's exit wouldn't. That scene shows nothing but a close up of Skywarp's gun firing. That's a pretty clear indication of a character not being dead when they don't show anything, especially in comics.
That sort of "assume the cliche" writing is relatively new to TF comics though. And, I would never say it is okay, even though it is common.
I have yet to read this. But, Metrotitans (names and otherwise) have been established as a big deal for IDW. And, this is only the first issue. Similarly, the annuals established Nova and co as important.
Having characters "suddenly show up for some reason" is standard for a comic book event. It is not encouraging though.
"Dark Cybertron" needs to be proven necessary for the franchise in some way given how it is derailing two books that were to all appearances chugging along just fine on their own. "More than Meets the Eye" had characters doing stuff, which kept some fans happy. "Robots in Disguise" had the "war is over" and political themes to keep other fans happy.
We cannot even blame editorial for "Dark Cybertron". New toy-based character models showing up in the comics could be done in any story. Roberts and Barber are functionally editorial for TF.
From what I am reading, it sounds like "Dark Cybertron" is a forced event. But, we will have to see how it plays out to be certain.
They also went way off character models for Cyclonus and Rodimus to the point of distraction.
Who drew the pages in question?
Given that Rodimus and Cyclonus have been drawn in a heavily stylized way for nearly two years, I can see how a new artist would have trouble drawing them in a more "standard" way.
The Dead Universe still has not properly been explained to me from the writers either, and that's a huge problem going into this since that's where Orion Pax is taking the Lost Light.
The Dead Universe seems to be getting the same treatment that "All Hail Megatron" did, specifically feckless editing. IDW was at best unclear about where/how "All Hail Megatron" fit in. (My impressioin was that they did not even know themselves initially, and were rebranding/editing a story that was never meant to fit in. But, that is speculation.) The same thing seems to be happening with the Dead Universe, most notably with D-Void, who IDW has said may or may not even exist beyond Galvatron's delusions.
My impression is that IDW is trying to tie off an old plot thread through back-writing.
I assume they're returning Kup, seeing as he's on the cover. Then again, yeah, don't really care about Kup enough to warrant passion in either direction.
I am more divided than indifferent. On the one hand, it sort of makes sense to bring Kup back, given that this story involves the dead universe. On the other hand, I cannot help but see bringing him back as just a step backwards for the sake of bringing back a popular character. But, again, it really depends on what IDW does with Kup after they bring him back.
For example, if it ties in with what RiD was setting up for with Prowl, I will be (much) more okay with it than if they just bring Kup back for the sake of having him back.
The best way to read an event comic like this is to try to see what it will do to the status quo of the relevant titles *after* it ends. The destination is usually much more important than the ride with this sort of book.
For example, in "Infinite Crisis", the last issue had lines of dialogue about what hand changed. That was the important part. In "Flashpoint", the most important part is where history is altered, and the effects are shown. I get the feeling that "Dark Cybertron" is going to be using that model.