Which cut--the theatrical, or the revised/"original" Donner cut?Superman II remains to this day, in my opinion, the greatest superhero movie ever.
Second, unless you're counting X-Men 3, which you probably should. Also, to be fair, this one is the Japan arc, which none of the movies have tried to do yet.Wolverine. Really? Does Wolvy really need his own movie again? Doesn't this make like the fourth one?
My brother!Also, O6, congratulations, you just found the OTHER Last Action Hero fan in existence.
See, Dom, THIS is what it's like for Prowl when writers use Deluxe Insecticons.
Pitch Black was actually good. And apparently the reason they keep making these is: Vin Diesel has a lot of money. (From what I've heard, the video games are actually good.)Riddick: Really? Again? The first two movies with this character sucked and flopped so God only knows why the fuck they decided to make a third.
To be fair, Chris Hemsworth is in a lot of stuff these days. It's not anything that makes me want to run out and see it, but still. He was in the Red Dawn remake, the beginning of Star Trek, that Snow White movie, and a couple other things I didn't see.Deathy wrote: I really hate it when a unknown guy plays the star of a super hero movie. because most of the time the unknown guy does a poor job at doing the emotions.
Oh man, I'm gonna have fun withh this.I'm not a fan of Bruce willis,he's a overly obnoxious/rude/macho guy in his movies & his personal life. So I generally don't bother watching any of his movies. My older cousin use to love watching those Die hard movies in the 1990's,I saw a few die hard movies & I thought they were pure torture to watch. the dialogue was bad,the actors chosen were bad,the movies were super long & dragged on forever. no thanks....
The first two Die Hard movies work as well as they do because they were the first action movies that were treated realistically. Watch Terminator, or Raw Deal, or Commando, or Cobra, or any Schwarzenegger or Stallone movie from before 1988, and then watch Die Hard next to it.
In Die Hard, John McClane gets hurt. He's not wearing any shoes and this becomes a significant plot element. By the end of the movie, his feet are all bloody and he's limping. His guns run out of ammunition. He has to aim. The police aren't on his side. Also, the terrorists are smartly written--they don't have any ulterior motives or any grand plans of being righteous or anything like that; but they are expect to, because they're terrorists, and they use this fact against the police. (At one point, Alan Rickman demands to the police that they release a laundry list of criminals in foreign countries from various prisons. Rickman's henchmen later asks him who those guys are, and Rickman just says, "I read about them in Time Magazine." He didn't want those guys released! He just wanted to waste the police's time!)
I know that a lot of this doesn't sound, well, revolutionary or important. That's because Die Hard did it first and did it the best, and changed the way action movies were made. Action movies in the 90s could easily be described as "Die Hard on a [x]," meaning the plot was basically the entire plot of Die Hard, but you move it from a skyscraper to another location. (Speed was "Die Hard on a bus." Die Hard 2 is "Die Hard on a plane." Under Siege is "Die Hard on a submarine," while its sequel is "Die Hard on a train." Sudden Death is "Die Hard in a hockey arena.") Every action movie released after 1988 ripped off Die Hard. It's that influential.
Also, Die Hard actually makes you feel like the hero is in danger, and could probably fail. You never get that feeling in Commando or Rambo 2.
Yeah, that's its big failing. I obviously didn't take part in that, because I was too young. I first saw it on TV in the early 2000s, completely devoid of any context. All I saw was a movie where Schwarzenegger makes fun of every action movie cliche that he helped establish, and that was enough for me.Dom wrote:"Last Action Hero" was a case study in "do not believe the hype". It was a good, generally approachable, parody of a genre that managed to not completely shit all over itself and its source material. Its biggest crime was being marketed wrong.
Bingo. Even Card's religious beliefs can't explain some of the weird crap he wrote about though. (Yeah, a race of pigs that turn into trees when they die...and then the trees rape the females to impregnate them...and then the babies eat their way out of the mother...no, that's just fucked up.)I know a couple of lefty's who *love* Card. They can never reconcile this when I ask them about it. Their fall-back is "well you have to look at the work as distinct form the artist". Even putting aside the inherent bunkum in that way of thinking, it does not work here. (Card's universalist lunacy clearly informed the last 20 pages of "Ender's Game", which ultimately undermined the whole premise of the rest of the book.)
I will likely see it over a friend's house, but I will not give Card any money.
Wolverine is actually particularly bad for a lot of reasons that the other Marvel flicks aren't. It arbitrarily changes things for no reason, or makes them worse. (Deadpool is basically ruined for any movie continuity now, unless they reboot him.)I am not sure that I get all of the hate and derision for movies like "Wolverine". It was not great, but hardly worse than any of the other Marvel films. (Marvel's movies are generally competent, if unimpressive. They are better than average for what they are, but they do not bring much more to the table than other movies.) I will not avoid any of the upcoming Marvel movies, but I will not make a point of seeing them. (Realistically, I will see them on disk at Lewis' house by the end of the year.)
This makes me sad.As an aside: And, with Hasbro getting lazier, the related toys will be easier to skip as well.
I read an interview once that basically said all Millar does now is write comics with the intent of them being turned into films. That said, I liked Kick-Ass, so.Fuck Mark Millar. The more I see of his work, the harder it is to remember that he is the guy who wrote "Superman: Red Son".
What makes you say this? Joe 2 seems like it's actually being made by people who understand what makes GI Joe cool, unlike the first movie. Also, Cobra Commander actually looks like Cobra Commander.I will probably see "GI Joe 2", if only to see how much IDW tries to incorporate movie elements in to their mainline book. (When they first got the Joe license, they tried to use the movie as a foundation for the brand, and then ruthlessly expunged most of it after the movie flopped.) I am expecting this to be even worse than the first Joe movie though, possibly even worse than "Revenge of the Fallen".
If you care, they're actually starting to hit now. The Roadblock that's out right now is pretty good, but has a random white holster. We've seen pics of a prototype at JoeCon that has more paintapps and more gear, so you might want to wait for that one.Prowly Prowl wrote:I really just want that Bruce Willis figure, and maybe a decent one of Rockblock.
To be fair, if anyone needs a new origin story movie, it's Superman. It's been 40 years since the last time we saw one! And that was 'before Crisis ever happened!' Before Byrne's defining Man of Steel run! Before Red Son, before All-Star Superman.Part of me’s like “Oh, could be cool, and epic, and cinematic, and defining, and all that shit” but then another part of me’s like “Origin story and Zod AGAIN?!”
And you shut up, Zod is awesome. Besides Luthor, he's probably the most credible Superman villain you could put on film, besides Doomsday--and you can only do Doomsday if you've already established Supes. (Maybe.)
That pissed me off too! Him and Deadpool, man. Thankfully, this movie is totally different from that one, so let's see.I went and saw Wolverine Origin purely because I was promised Gambit, and then he was only in there for like fifteen minutes. They aren’t duping me again.
Yes, clearly you are broken.I really don’t know what it is, but while /m/ and about a billion newssites have been creaming their pants over this thing, I just *cannot* get too excited about it, regardless of how hard I try. Maybe it’s the comparatively generic robot designs they’re using. Maybe it’s the pedestrian plot of “monsters pop out of the ocean and the army fights them”. Maybe it’s because, Transformers aside, I’ve really never been too much of a mecha guy in the first place. I dunno, all I do know is I see the trailers for this thing, and all logic tells me I should be like “HOLY SHIT THIS LOOKS AWESOME!” but instead all I can bring myself to elicit is “Meh, might be cool”. I dunno, clearly there’s something wrong with me.
To be fair--the fact that the mecha are clearly Gigantor and Mazinger-inspired and stuff is probably the point, and while you see "generic," I see "retro.' If they looked like Gundams, or even Evangelions, I'd say they looked generic, but they actually look like they're trying to evoke those older anime designs.
And sure, the plot is probably not going to evolve much past "monsters come out of the water and robots fight them," but at the same time we don't ever get to see that kind of thing scaled up to a big-budget movie. And Bologna del Taco has a habit of making even the basic plots seem cool. Look at Hellboy!
The big problem with Thor 1--besides Natalie Portman--was indeed the pacing, and also the scale. The movie went from these big huge setpieces to...some random small Midwest town. The Destroyer comes down and it's supposed to be, like, this huge fucking battle and shit...but it's in a town with a population of maybe a hundred on a good day. Who cares?So long as this manages better pacing than the first one, it should be an okay movie. My favorite part of the first one was the suit designs, so the toku fan in me might be motivated enough to check this out if I have nothing better to do.
Thor 2 is apparently excising almost all of that crap, though, and focusing instead of Thor and Loki's journey to the Dark World. (Word is, Thor needs Loki's powers to do...something.)

